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Every day of the challenge

One manageable step at a time, all the way through Ulysses. Start at Day 1 or jump to any entry.

180 of 180 days published

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180 days shown

  1. Day 1 · Telemachus

    “Stately, plump Buck Mulligan”

  2. Day 2 · Telemachus

    The sea as “a great sweet mother”

  3. Day 3 · Telemachus

    Haines the folklore-collecting Englishman

  4. Day 4 · Telemachus

    The milkwoman as Ireland

  5. Day 5 · Telemachus

    “Dogsbody”

  6. Day 6 · Telemachus

    “Usurper”

  7. Day 7 · Nestor

    Pyrrhus and the “Pyrrhic victory”

  8. Day 8 · Nestor

    Cyril Sargent and “amor matris”

  9. Day 9 · Nestor

    “I paid my way”

  10. Day 10 · Nestor

    “History is a nightmare from which I am trying to awake”

  11. Day 11 · Proteus

    Interior monologue with no handrail

  12. Day 12 · Proteus

    The navelcord as a “telephone” to the past

  13. Day 13 · Proteus

    Stephen mocking his own past self

  14. Day 14 · Proteus

    The dog as shape-shifter (Proteus)

  15. Day 15 · Proteus

    The homeward ship

  16. Day 16 · Calypso

    Bloom's appetite for the ordinary body

  17. Day 17 · Calypso

    “Agendath Netaim,” the planters' company

  18. Day 18 · Calypso

    The letter Bloom doesn't ask about

  19. Day 19 · Calypso

    “Metempsychosis” → “met him pike hoses”

  20. Day 20 · Calypso

    Bloom as a tender, anxious father

  21. Day 21 · Calypso

    Joyce dignifies the undignified

  22. Day 22 · Lotus Eaters

    The drowsy “lotus” mood

  23. Day 23 · Lotus Eaters

    Bloom's secret life as “Henry Flower”

  24. Day 24 · Lotus Eaters

    The tram that ruins the view

  25. Day 25 · Lotus Eaters

    The “language of flowers”

  26. Day 26 · Lotus Eaters

    Bloom the outsider, looking in

  27. Day 27 · Lotus Eaters

    The cake of lemon soap

  28. Day 28 · Hades

    Bloom among the men, half-included

  29. Day 29 · Hades

    Two fathers, two sons, one rival

  30. Day 30 · Hades

    The kindness of changing the subject

  31. Day 31 · Hades

    The carriage window as a frame

  32. Day 32 · Hades

    Bloom's silent grief for his father

  33. Day 33 · Hades

    Father Coffey's brisk Latin

  34. Day 34 · Hades

    The man in the macintosh

  35. Day 35 · Hades

    Bloom's practical, unsentimental musing on death

  36. Day 36 · Hades

    Menton's cold shoulder

  37. Day 37 · Aeolus

    Mock headlines breaking up the text

  38. Day 38 · Aeolus

    Bloom's workaday competence

  39. Day 39 · Aeolus

    MacHugh's Rome-versus-Greece speech

  40. Day 40 · Aeolus

    Lenehan's flop of a riddle

  41. Day 41 · Aeolus

    Crawford's bluster

  42. Day 42 · Aeolus

    Taylor's speech on the Irish language

  43. Day 43 · Aeolus

    Stephen's shift from favor-runner to potential writer

  44. Day 44 · Aeolus

    The Parable of the Plums

  45. Day 45 · Aeolus

    Talk versus work, one more time

  46. Day 46 · Aeolus

    Aeolus as the 'chapter of the winds'

  47. Day 47 · Lestrygonians

    The 'peristaltic' style of digestion

  48. Day 48 · Lestrygonians

    Bloom's curiosity about the gulls

  49. Day 49 · Lestrygonians

    The seedcake on Howth Head

  50. Day 50 · Lestrygonians

    Eating as animal appetite

  51. Day 51 · Lestrygonians

    A modest, satisfying meal

  52. Day 52 · Lestrygonians

    Bloom's easy sympathy for others' troubles

  53. Day 53 · Lestrygonians

    The blind stripling

  54. Day 54 · Lestrygonians

    Food as a marker of class and comfort

  55. Day 55 · Lestrygonians

    Bloom's dodge at the museum gate

  56. Day 56 · Lestrygonians

    The museum gate as a hiding place

  57. Day 57 · Scylla and Charybdis

    Stephen performing his theory

  58. Day 58 · Scylla and Charybdis

    The father-and-son argument

  59. Day 59 · Scylla and Charybdis

    Platonism versus a grounded, biographical reading

  60. Day 60 · Scylla and Charybdis

    Scylla and Charybdis as intellectual danger

  61. Day 61 · Scylla and Charybdis

    Stephen the performer

  62. Day 62 · Scylla and Charybdis

    The second-best bed

  63. Day 63 · Scylla and Charybdis

    Shakespeare as the Ghost, not the Prince

  64. Day 64 · Scylla and Charybdis

    The father who is his own son

  65. Day 65 · Scylla and Charybdis

    Mulligan's timing

  66. Day 66 · Scylla and Charybdis

    The stage direction "Entr'acte"

  67. Day 67 · Scylla and Charybdis

    "Do you believe your own theory?" / "No."

  68. Day 68 · Scylla and Charybdis

    Bloom stepping between Stephen and Mulligan

  69. Day 69 · Wandering Rocks

    The nineteen-scene structure

  70. Day 70 · Wandering Rocks

    The one-legged sailor

  71. Day 71 · Wandering Rocks

    Corny Kelleher's idle moment

  72. Day 72 · Wandering Rocks

    Boylan's basket of fruit

  73. Day 73 · Wandering Rocks

    Dilly's French primer

  74. Day 74 · Wandering Rocks

    Simon's easy charm

  75. Day 75 · Wandering Rocks

    Master Dignam's errand

  76. Day 76 · Wandering Rocks

    The interpolation technique

  77. Day 77 · Wandering Rocks

    The blind stripling's cane

  78. Day 78 · Wandering Rocks

    The viceregal cavalcade

  79. Day 79 · Sirens

    The musical overture

  80. Day 80 · Sirens

    The jingling car

  81. Day 81 · Sirens

    "M'appari"

  82. Day 82 · Sirens

    Bloom's guarded letter-writing

  83. Day 83 · Sirens

    The returning tap of the cane

  84. Day 84 · Sirens

    "The Croppy Boy"

  85. Day 85 · Sirens

    Bloom's drifting, musical thoughts

  86. Day 86 · Sirens

    "Fuga per canonem"

  87. Day 87 · Sirens

    Bloom's quiet self-composure

  88. Day 88 · Sirens

    Emmet's epitaph and Bloom's timing

  89. Day 89 · Cyclops

    The anonymous first-person narrator

  90. Day 90 · Cyclops

    "Gigantism" — the first mock-heroic parody

  91. Day 91 · Cyclops

    The nameless first-person narrator

  92. Day 92 · Cyclops

    The Citizen's booming, one-note patriotism

  93. Day 93 · Cyclops

    The interpolated parody passages

  94. Day 94 · Cyclops

    Throwaway the racehorse

  95. Day 95 · Cyclops

    Bloom's definition of a nation

  96. Day 96 · Cyclops

    Prejudice hiding behind patriotism

  97. Day 97 · Cyclops

    "Love... I mean the opposite of hatred"

  98. Day 98 · Cyclops

    "Christ was a jew like me"

  99. Day 99 · Cyclops

    The thrown biscuit tin

  100. Day 100 · Cyclops

    The mock-ascension parody

  101. Day 101 · Nausicaa

    The novelette / "namby-pamby" narration

  102. Day 102 · Nausicaa

    Gerty's catalogued beauty

  103. Day 103 · Nausicaa

    The man in black watching from a distance

  104. Day 104 · Nausicaa

    The Mirus bazaar fireworks

  105. Day 105 · Nausicaa

    Innocent language, knowing action

  106. Day 106 · Nausicaa

    Gerty's limp

  107. Day 107 · Nausicaa

    The switch back to Bloom's stream of consciousness

  108. Day 108 · Nausicaa

    Bloom's exhaustion and drift

  109. Day 109 · Nausicaa

    The message written and erased in the sand

  110. Day 110 · Nausicaa

    The cuckoo's chime

  111. Day 111 · Oxen of the Sun

    The opening Latinate invocation

  112. Day 112 · Oxen of the Sun

    Bloom among the drunken students

  113. Day 113 · Oxen of the Sun

    Early medieval chronicle style

  114. Day 114 · Oxen of the Sun

    Malory-style chivalric prose

  115. Day 115 · Oxen of the Sun

    The march through seventeenth and eighteenth century prose

  116. Day 116 · Oxen of the Sun

    Bloom's private thoughts of Rudy amid the noise

  117. Day 117 · Oxen of the Sun

    Dickensian sentiment before the birth

  118. Day 118 · Oxen of the Sun

    The long-awaited birth

  119. Day 119 · Oxen of the Sun

    Bloom's silent watchfulness over Stephen

  120. Day 120 · Oxen of the Sun

    The closing rush of modern slang

  121. Day 121 · Circe

    The play-script format

  122. Day 122 · Circe

    Bloom buying food mid-chase

  123. Day 123 · Circe

    Rudolph Bloom's ghost

  124. Day 124 · Circe

    Molly as 'Marion' in Bloom's fantasy

  125. Day 125 · Circe

    The road not taken

  126. Day 126 · Circe

    The courtroom as conscience

  127. Day 127 · Circe

    The escalating absurdity of the charges

  128. Day 128 · Circe

    The New Bloomusalem

  129. Day 129 · Circe

    The turn of the crowd

  130. Day 130 · Circe

    Bella Cohen

  131. Day 131 · Circe

    Bella/Bello's gender switch

  132. Day 132 · Circe

    Fantasy as confession

  133. Day 133 · Circe

    Bloom's potato talisman

  134. Day 134 · Circe

    Stephen holding court

  135. Day 135 · Circe

    The mirror of Shakespeare

  136. Day 136 · Circe

    May Dedalus's ghost

  137. Day 137 · Circe

    "Nothung"

  138. Day 138 · Circe

    Bloom paying for the lamp

  139. Day 139 · Circe

    Privates Carr and Compton

  140. Day 140 · Circe

    Conscience versus loyalty

  141. Day 141 · Circe

    Bloom shielding Stephen

  142. Day 142 · Circe

    Bloom's diplomacy with authority

  143. Day 143 · Circe

    Stephen's murmured half-consciousness

  144. Day 144 · Circe

    Rudy, aged eleven

  145. Day 145 · Circe

    The return to stillness

  146. Day 146 · Eumaeus

    The exhausted prose style

  147. Day 147 · Eumaeus

    'Skin-the-Goat'

  148. Day 148 · Eumaeus

    Corley's cadging

  149. Day 149 · Eumaeus

    The sailor's postcard

  150. Day 150 · Eumaeus

    Parnell rumours

  151. Day 151 · Eumaeus

    The sailor's tattoo

  152. Day 152 · Eumaeus

    Skin-the-Goat and the Phoenix Park murders

  153. Day 153 · Eumaeus

    Bloom's mild political philosophy

  154. Day 154 · Eumaeus

    The photograph of Molly

  155. Day 155 · Eumaeus

    Bloom's habit of scheming

  156. Day 156 · Eumaeus

    The old horse and the street sweeper

  157. Day 157 · Ithaca

    The question-and-answer form

  158. Day 158 · Ithaca

    Parallels and differences

  159. Day 159 · Ithaca

    Bloom's forgotten latchkey

  160. Day 160 · Ithaca

    The shared cup of cocoa

  161. Day 161 · Ithaca

    The 'water hymn'

  162. Day 162 · Ithaca

    Bloom and Stephen as fellow outsiders

  163. Day 163 · Ithaca

    Urinating together under the stars

  164. Day 164 · Ithaca

    The distant bells

  165. Day 165 · Ithaca

    Bloom's itemized budget

  166. Day 166 · Ithaca

    The drawers' contents

  167. Day 167 · Ithaca

    Bloom's 'equanimity'

  168. Day 168 · Ithaca

    The closing question and single dot

  169. Day 169 · Penelope

    The unpunctuated interior monologue

  170. Day 170 · Penelope

    Molly's frankness about Boylan

  171. Day 171 · Penelope

    Gibraltar as Molly's lost world

  172. Day 172 · Penelope

    Molly's memory of Lieutenant Mulvey

  173. Day 173 · Penelope

    Molly's mixed feelings about Milly

  174. Day 174 · Penelope

    The loss of Rudy

  175. Day 175 · Penelope

    Molly's pride in her singing

  176. Day 176 · Penelope

    Molly's bodily frankness

  177. Day 177 · Penelope

    Molly's uncensored view of men

  178. Day 178 · Penelope

    The seedcake kiss on Howth

  179. Day 179 · Penelope

    The rising repetition of 'yes'

  180. Day 180 · Penelope

    "yes I said yes I will Yes"

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